Patricia Gray Interior Design

Alberto Pinto "Haute Interi...

Alberto Pinto is described as the preeminent master of unabashed wealth and opulence. He creates on all the continents private residences to offices or even palaces for the greats of this world. More over, he has brought interior design up to the status of “Haute Interior Design.” (haute - ōt: trend-setting, high fashion, high style)

Castle in England
Home in Sao Paolo - A dining room with a stucco wall panel in the Art Deco style
Home in Athens
Apartment in Geneva
Home in Athens - whitewashed walls are inlaid with pebbles in a diamond pattern.
Apartment in Paris
Home in Athens
Ranch in Sante Fe
Apartment in Geneva
Home in Sao Paolo - a view of the dressing room complete with a daybed in the center. Mirrors reflect carefully organized closets illuminated by Venetian ceiling lamps of painted silk by Mariano Fortuny.Castle in England

Based in Paris his "agency" as it is called is installed on the five floors of a 17th century private residence situated at the Place des Victoires in Paris: Hôtel de la Victoire.The Alberto Pinto agency is an interior design and decoration office of 55 people whose "domains of intervention" cover not only the realization of main residences, vacation homes, office buildings, hotels, but also yachts or private jets. I have long admired his work and if an office is indicative of the type and quality of work that you do....his offices below do him justice.

A majestic eighteenth stone staircase with a robust wrought iron railing coils to the top of the mansion. The different departments of the agency open on to the four levels.
The library occupies the left side of the sitting room. A wealth of carefully classified documents is available to the staff on the floor to ceiling oak bookcases.
In the sitting room comfortable sofas and armchairs covered with ecru linen surround a high-wool Moroccan rug executed after a cartoon by Alberto Pinto. An over sized collage by the Spanish artist Antonio Valdes.Two immaculate white plaster columns in the pure Forties style by Pascaud are placed in front of the large bay windows in Alberto's office. A bronze head from the Cubist period sits atop a black lacquered chest on the far left.

For other posts on Alberto Pinto see:
My Marrakesh
All photos courtesy of the Alberto Pinto web-site
Posted by Patricia gray
over 12 years ago

Rome

I have been watching the HBO production of Rome Season 1 & 2. I highly recommend it. The acting, sets, costumes and cinematography are superb. It was filmed entirely on location in Rome on a 5 acre set. Rome earned 7 Emmy® nominations, including Outstanding Art Direction and Cinematography. If anyone else has watched this series I would be interested in your feedback.





This picture is Cleopatra committing suicide with the bite of a deadly venomous snake.
Posted by Patricia gray
over 12 years ago

Patricia Gray Interview

Vanessa De Vargas of Turquoise LA has done an interview with me on LA Apartment Therapy.Thanks Vanessa.

Apartment Therapy Interview / Patricia Gray

It's not everyday that you stumble upon a blog from an actual practicing interior designer. Which is what happened to me when I found Patricia Gray's blog. Patricia is an award winning, highly recognized interior designer from Vancouver Canada, who finds time in her busy schedule to update her blog almost daily!

Her blog features inspiration she finds via the internet, including other designers and architects that she admires not to mention sneak peeks of her work. She has been published in Architectural Digest along with other notable magazines that you can view here.
I wanted to find out more about Patricia so following are some questions I asked her about business thus far.

How did you come to be a designer?
I started at 5 years old rearranging furniture, at 10 sewing cushions & curtains. Whenever we visited I would come home and sketch the house floor plan in detail and then try and recreate the rooms using my cut-out paper doll folders. I played with fabric samples and color chips for fun. When I was in my early 20’s I found out that there was a profession called “Interior Design”. So I enrolled at a local college and loved it. I then went on to study History of Architecture and Decorative Arts in Paris through Parsons School of Design.

What's your favorite color to work with and why?
I usually start with a neutral palette and get all the elements of the space correct, and then I add in color through materials & paint. I love neutral backdrops that are classic & timeless, and the color usually comes in the artwork, accessories, area carpets etc. That way color schemes can be changed relatively inexpensively over the life of the home.

What color combinations do you see using in the future?
Right now the materials I love are earthy: limestone, travertine, wengee wood, teak. The fabrics are natural: linen, wool mohair, silk, leather, suede. For the accent colors I would choose Kelly green mixed with touches of black or rich cinnabar mixed with a warm mink brown and of course white, white, and white.

What are your greatest sources of inspiration?
The ocean, art galleries and SHOPPING.

What interior or furniture designers, past or present, do you most admire? Francis Elkins – she was the epitome of the evolution of the American Style in Interior Design and was the inspiration for such Interior Design luminaries as Billy Baldwin, Albert Hadley & Michael Taylor. John Saladino – His style is so classic, cultured and highly refined.

Describe your design theory in 4-6 words.
well detailed, beautiful materials, comfortable, memorable .

What is your signature mark that you always try to implement in a space?
I don’t know because I am always changing and evolving.Maybe others see what it is more than I do. I have been described in Architectural Digest as “being forward thinking and creating outside the box”.

If you could redo any space, past or present, what would it be?
I would love to be able to go back in time and redo my grandparents’ home or perhaps the Petit Trianon at Versailles.

What have you learned about having your own business that you wish you knew when you were just starting out?
Just to have fun and enjoy the process.

What are your best practices when it comes to client relations?
Love your clients, be kind and gracious at all times.

What 5 things does a well designed home need?
- welcoming entry
- a great kitchen
- easy maintenance
- beautiful art
- comfortable places to sit

If you hadn't become a designer, what do you think you would be doing now?
I'd be in Paris working at Chanel as a fashion designer.

Where do you see yourself in 10 years?
Being better at what I am doing now.
Posted by Patricia gray
over 12 years ago

Labels & Logos - When the ma...


If everyone has one, do you still want one?
The elites don't, which may mean the end of conspicuous consumption

Nathalie Atkinson
Thursday, August 23, 2007

Fashionable types have been waiting for this book all summer -- and it's not even a bitchy roman a clef.
Dana Thomas's Deluxe: How Luxury Lost Its Luster (Penguin) is instead a social history of the luxury industry that reads like a riveting roll call of Double Cs, double Fs and signature buckles (Gucci, Ferragamo).
In her exhaustively researched book, Newsweek's Paris-based fashion and culture correspondent examines the rise and fall of old-world craftsmanship, then dissects the class, culture and other clashes at issue behind today's US$157-billion luxury good market. She glimpses the workrooms of luxury brands around the world -- both the pedigreed ateliers of France and the less-so factories in remote China, juxtaposing the story of luxury barons Bernard Arnault with stylist-come-lately Rachel Zoe and the snobbish pronouncements of Fred Hayman (he of Giorgio Beverly Hills fame). She looks at luxury behemoths like Gucci Group, Richemont and LVMH, whose portfolio includes more than 50 brands, such as Pucci, Dior, Donna Karan and the money-making jewel, Louis Vuitton.
Thomas also lays bare the infamous loophole of final assembly, a technicality that allows designers to sew the coveted "made in Italy" label on garments assembled there from materials fabricated elsewhere. There's even an interview and some dirt on the enigmatic Miuccia Prada, the poli-sci PhD and communist who became the soul and patron fashion saint of her family's luggage brand in a volte-face as striking as Naomi Klein suddenly becoming the spokesmodel for Wal-Mart.
This new Theory of the Leisure Class for the 'naughts: Authentic artisans become branding megaliths targeting the aspirational middle class looking for instant McStatus tied up in a famous robin's egg blue box.
So where does luxury go from here? Thomas ties the massification in with the rise of licensing and ancillary products -- the purses and perfume that drive the bottom line. Labels and logos have gone from the inside to the exterior, a vulgar display of arriviste insecurity. This conspicuousness is slowly spooking original luxury consumers who worry not about the source -- which may still be artisanal--but the audience.
Last year in Britain, rumours swirled that Burberry would pull back on use of its signature nova check because of the increasing adoption of the look by British soccer hooligans. It's a classic case of the Chavs and the Chav-nots. The easy access to the trappings of luxury -- the branded and licensed purses and perfumes and plaids -- and the creation of a masstige category (prestige appeal at slightly mass-market prices), such as Simply Vera by Vera Wang at Kohl's or Erin Featherston's upcoming Target collection, devalue the core luxury values.
These days, the truly rich are all about stealth wealth, a direction Barb Atkin, the savvy vice-president of fashion direction at Holt Renfrew, enthused about at a fashion luncheon earlier this week. Atkin cited little-known Brunello Cucinelli, a very expensive but much sought after understated luxury brand on the rise. Cucinelli is subtle, not showy. His labels are on the inside, not out, and the true luxury comes from the exquisite material and fabrication. It's elitist, which is of course the whole point of luxury. Nowadays, those who have it don't flaunt it. The new luxury model is embodied by L.A. socialite Susan Casden, who gets to personally approve the special order of the lesser-known Hermes bag named after her.
This backlash against conspicuous consumption is how Thomas wraps up her book. As shoemaker Christian Louboutin tells the author, "Luxury is not consumerism." You see, the rich really are different from you and me. And the moment Vogue, originally a proudly exclusionary society journal for the 400 pedigreed East Coast families, starts running Wal-Mart ads, it is time for the elites to look elsewhere.
Of course, that's if they believe that goods -- and not, say, free time, close friends and good health --are the trappings of true luxury.
© National Post 2007
Posted by Patricia gray
over 12 years ago

Moroccan Bathroom Inspiration

Maryam and her Husband in Marrakesh have recently purchased an olive orchard and are in the process of building a guest house on it named Peacock Pavilions. This project is a labour of love and is not without it's trials and tribulations for them. But nothing that is of value is free from this fault. There are to be 12 bathroom in all. No small feat. So if I can be of any help Maryam here is a little inspiration for those bathrooms of yours.

Simple, white, fresh
House Beautiful

Polished Nickel Bathtub Urban Archaeology

Let's not forget about the toilet. Funny how these are conveniently never shown in photographs. This is by far the best designed toilet on the market.
Phillip Starck 2 one piece toilet
Elle Decor


Luscaux Tile design Michael Smith


Kohler

Star and Cross Floor Tile Lascaux

Lascaux

John Stefanidis
I love this bathroom. Crisp white shutters - bright painted walls.

Kelly Wearstler

Urban Archaeology

Antonia Hutt

House Beautiful

Lots of white towels, a beautiful mirror and soft pastel painted walls
photo from flickr



top photo Tim Clarke
Posted by Patricia gray
over 12 years ago
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